vintage synth demo by RetroSound PPG Wave 2.2 Wavetable Synthesizer from the year 1982. part1: some typical classic Wave 2.2 sounds part2: walk through the wavetables part3: Wave 2.2 & Waveterm A The PPG Wave 2.2 is the direct successor of the Wave 2 but with 2 oscillators. He is one of the greatest synths ever. A real classic! Only 500 Wave 2.2 were manufactured. The sound character is different to the later Waldorf Microwave synths and a little bit different to the Wave 2.3. The nice SSM 2044 filter make the sounds so warm and incredible. - 8 Voices - 2 to 16 Oscillators per voice - 30 Wavetables with 64 waves per table - analog 24 dB/oct lowpass SSM 2044 VCF - Curtis CEM 3360 VCAs - micro processor (6809) - 8Bit DACs Used by: Trevor Horn (Propaganda, Art Of Noise, Frankie Goes To Hollywood, Grace Jones), Ultravox, Depeche Mode, Robert Palmer, Talk Talk, Tears For Fears, Thomas Dolby, The Fixx, Thompson Twins, Tangerine Dream, Gary Numan and much more more info: www.retrosound.de and www.facebook.com check the first RetroSound fan shirt: www.retrosound.deAuthor: retrosound72
Duration: 7:17
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PPG wave 2.2 Wavetable Synthesizer (1982) pt.1
Just dusting the rust off my editing skills, after many years dormancy. Thought this would be a nice light project to work on, it's a bit rough, and I might refine and add a bit to it later. Clips are taken from the G20 protests in America and Canada, as well as the Education Protests from England. The final clip, after the black and moment of silence is from YouTube.
Depeche Mode - Hole To Feed, Tour of the Universe, Kyiv 8.2.2010
Awesome!!!!
Una storia di Capodanno. Dopo i botti ei brindisi di mezzanotte, al mattino, fuori, non si vede nessuno. Solo qualcuno, quasi per gioco, se ne va a spasso tutto solo al centro commerciale. Solo che
Кумиры 80-х, 90-х: Nirvana, Depeche Mode. Телеверсия, в которой песни самих популярныхв 80-90-егодыгрупп, соответственно «Nirvana» и «Depeche Mode», под живойаккомпанемент группы «Unity» спели: LOBODA, Валерий Харчишин («Dруга Рика»), Фагот («ТНМК»), Алена Vинницкая, Олег Собчук («С.К.А.Й.»), Иван Розин («Gouache»). Специальным гостем телеверсии стал Тимур Родригез.Ведущий Павел Шилько.Музыкальный продюссер Гарькавый Александр.
For the second year in a row, we were responsible for producing the opening film for the Philadelphia Addy Awards presentation. In addition to creating an entertaining short film for the purpose it is intended to serve, we also endeavor to explore some new technology or technique on these pro bono jobs so as to get some ROI for ourselves out of the deal. This year we decided to see what all the hype was about with shooting video with a Digital SLR. This piece was shot entirely with the Canon 5D Digital SLR. Although I was involved in the shooting of this piece I will now skip ahead to the post-production stage in my story as that is the general focus of my blog. (That and I just can't stay up all night writing like I used to be able to when I was a youngin') Every scene was shot in 1080p and later treated in After Effects to have more of a stop-motion feel. I effected exposure as well as frame rates to make it feel more like a series of still photos. In hindsight, I wish I had been a little more heavy-handed on the exposure differences between frames and had "wiggled" the time posterization a bit to give a more inconsistent or hand made feel. Unfortunately, we get very little time to crank these babies out so there are always details and extra touches that we wish we had time to do. The piece was originally edited to Depeche Mode's "Dreaming of Me". At some point someone decided it might be easier/cheaper to get the publishing rights only and to re-record the song <b>...</b>
